Flute Teachers

Here below I like to present some ideas about how to use the Thumpy in music education divided in two parts: 1/ Thumpy for beginners and 2/ Thumpy for advanced flute students. In both cases, Thumpy can be used to learn to play a flute sound without tension and with enjoyment, promising an optimum base for the rest of ones (flute) life. Finally, the flute sound is not an obligation, but a natural phenomena to fully enjoy!

teachers manual

1/ Thumpy for Beginners

The time you take to work with Thumpy for each 'class', may greatly vary up to your specific teaching situation and the time available. The goal is:

  • to playfully develop a flexible embouchure and a stable tone, without the usual stress of holding the flute and placing the fingers.
  • to develop a musical sense and awareness, where each flute sound is not specifically related to a note name, but just a sound in the air.
  • to develop rhythmical qualities, both in individual as well as in group playing.
  • to determine a child's talent and interest for the flute, without having to invest in an expensive flute.
  • to first develop a flexible embouchure and stable flute sound, before switching to the Böhm-flute.

Class 1: Wind Sounds

Use the first lesson to make just wind tones in all kinds of forms and with various rhythms. Teach the students how to hold the Thumpy (logo to the right). Do different 'game-styles' pieces just with wind tones. Let them feel the joy of blowing, especially in group, by imitation, interlocking, playing rhythms, short and long wind-tones, include the T-tonguing attack, make a wind-story… Next, teach them percussive sounds and rhythms (hitting one end of the Thumpy flute with the hand-palm) and combine wind and percussive sounds into one piece.

teachers manual

Class 2: Flute Sound

In a next step, you want to teach to create a first flute sound. You can do the preparing exercises, like blowing the candle flame (make it move without killing it). Use the Thumpy to imagine the candle. Also use the hand to feel the air-stream. And use a long, small paper, which they hold on the nose, while blowing softly with the intention to keep it up in the air quietly (no waving or flapping of the paper!). Next it is time to apply the same blowing style to blow the Thumpy. Some will immediately hit a flute sound, others may need more time. They can help each other, by comparing, watching. You can do exercises, like dividing the group in two and exchanging first wind tones and next a flute sounds. At this stage, always use only both endings open.

teachers manual

Class 3: Bird Sounds

A next step would be to imitate bird sounds, for which you can use some of these 16 bird sounds sample. But first, teach them how to hold the Thumpy to easily close the endings with the thumbs, about the split note-head and the open/closed combinations. Most birds use 'flute sounds', but for some you have to speak or sing into the embouchure-hole (like the Barn Owl or the Long-Ear Owl). Be sure to motivate them to use the requested articulation (tu-tu-tu or ta-taaa, etc.). Students can invent their own animal sound.

teachers manual

Class 4: Basic Five Notes

Next we learn the first five basic sounds. Obviously, here you could use the Thumpy Book and use the pieces from the book up to #34. Alternatively, one can teach the first basic sounds by imitation, and have your own exercises.

teachers manual

Class 5: Duo and Ensemble

This step can also be integrated in some of the other steps. But it is good to make some space to play some duo or/and ensemble pieces. Again, one can here use the Thumpy Book, or write your own pieces.

teachers manual

Class 6: Make your own Piece

In a final stage, you can invite students to make and compose their own piece. They can either use the notation system as proposed in the Thumpy Book (with the split note-head), but also invent their own system, like a graphical notation or an image story. Let them give the piece a title! It would be also great to memorize one or more pieces, and possibly to include some movement as well.

teachers manual

Ready for the Böhm Flute!

At this stage, with a wider sound understanding and flexible and relaxed embouchure, the student is ready to try the 'big' flute! I hope my thoughts may be of some good use for your teaching. Feel free to contact with me if you have any remarks or thoughts to share by using the contact page. Especially in these times where kids go 'digital' pretty early, it is my dearest wish, that we can attract them to enjoy analogue actions like blowing and creating sound from their own breath. Here the flute teacher has an important job to do, while also the possibility to attract new potential flute students.

teachers manual

2/ Advanced Flute Students

The Thumpy flute can be great fun for an advanced flutist, as a challenging flute as well as a study instrument. It brings you back to the essential elements of playing the flute: the blowing and the sound. Because the Thumpy demands more activity of the embouchure, it is great to further develop the flexibility of the embouchure. It's like telling you: don't play with your fingers, but play with your breath. Here below some samples and ideas.

teachers manual

Thumpy Book

The Thumpy Book certainly has some exciting challenges for the advanced player. Very useful studies are the pitch bending studies to roll or turn the Thumpy flute (#38-41), the wind tones (#45-46) and the advanced pieces (#71-75). All these are really good for the flexibility of the embouchure. Another thing you can do is to make your own piece for Thumpy flute.

teachers manual

Study Whisper Tones

Studying whisper tones has great benefits for the flexibility of embouchure and tone in general. The Thumpy flute is a great flute for whisper tones studies, especially when you are travelling. For more information on the whisper tone see: www.forthecontemporaryflutist.com or my book 'For the Contemporary Flutist'.

teachers manual

Study Circular Breathing

The circular breathing is a technique that not so many flutists study. At the same time, it is such a great technique, which simultaneously develops the embouchure and breathing in an incredible way! With Thumpy you have a flute, which you can grap immediately and at any moment. In this way you can often do a short study of circular breathing while keeping your flute safely in the box. For more information on circular breathing see: www.forthecontemporaryflutist.com or my book 'For the Contemporary Flutist'.

teachers manual

Beat-Boxing

There are some wonderful samples of beatboxing on the Thumpy flute. Click the image below to start the video by Guillermo Thomson. Next, you should try it yourself!

teachers manual

Take Thumpy Outside

Since Thumpy is a most sturdy instrument, in contrast to the delicate flute, it is very easy to take with you when you go travelling or when you visit a park, a forest or other natural spot. And it sounds great outside!

teachers manual